the clarity of water

july-19 | #longphilipburn #corbielynn #selkirk #fairypool
mid-summer, mid-afternoon, continuing to play with a wide aperture and a fast shutter speed

“The clear water was at our knees, then at our thighs. How clear it was only this walking into it could reveal. To look through it was to discover its own properties. What we saw under the water had a sharper clarity than what we saw through air. We waded on into the brightness, and the width of the water increased, as it always does when one is on or in it, so that the loch no longer seemed narrow, but the far side was a long way off. Then I looked down; and at my feet there opened a gulf of brightness so profound that the mind stopped. We were standing on the edge of a shelf that ran some yards into the loch before plunging down to the pit that is the true bottom. And through that inordinate clearness we saw to the depth of the pit. So limpid was it that every stone was clear.

“I motioned to my companion, who was a step behind, and she came, and glanced as I had down the submerged precipice. Then we looked into each other’s eyes, and again into the pit. There was nothing that seemed worth saying. My spirit was as naked as my body. It was one of the most defenceless moments of my life.”

The Living Mountain | Nan Shepherd

IMG_2634IMG_2631IMG_2641IMG_2663IMG_2642IMG_2666

i go to the water

july-19 | #longphilipburn #corbielinn #fairypool
mid-summer, midday, playing with a wide aperture and a fast shutter speed

“If the day is fine, any walk will do; it all looks good. Water in particular looks its best, reflecting blue sky in the flat, and chopping it into gravelled shallows and white chute and foam in the riffles. On a dark day, or a hazy one, everything’s washed out and lacklustre but the water. It carries its own lights. I set out for the railroad tracks, for the hill the flocks fly over, for the woods where the white mare lives. But I go to the water.”

Pilgrim at Tinker Creek | Annie Dillard

IMG_2549IMG_2540IMG_2538IMG_2553IMG_2548

a deliberate life

march-19 | #ettrickkirk #midgehope #thirlestane #ettrickvalley
early morning, early spring, following the family line

“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practice resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion.”

Walden | Henry David Thoreau

IMG_1389IMG_1388IMG_1379

 

poetry is not a luxury

march-19 | #ettrickriver #selkirk #southernscotland #visualpoetry
dog daisies and daffodils, early summer sunlight, simple perfection

“The quality of light by which we scrutinise our lives has direct bearing upon the product which we live, and upon the changes which we hope to bring about through those lives. It is within this light that we form those ideas by which we pursue our magic and make it realised.

“This is poetry and illumination, for it is through poetry that we give name to those ideas which are—until the poem—nameless and formless, about to be birthed, but already felt.

“The distillation of experience from which true poetry springs births thought as dream births concept, as feeling births idea, as knowledge births (precedes) understanding.”

In Search of Our Mother’s Gardens | Alice Walker

IMG_1951IMG_1775IMG_1952IMG_1774

cold spring

february-19 | #longphilipburn #selkirk #februaryfrost
late afternoon sun, early evening shadows

From a lofty mountain peak
the view extends forever
I sit here unknown
the lone moon lights Cold Spring
in the spring there is no moon
the moon is in the sky
I sing the single song
a song in which there is no Zen

Lone Moon Lights Cold Spring | Bill Porter with © emergence magazine

IMG_1139
IMG_1140
IMG_1137
IMG_1135
IMG_1129

a life of real good trouble

november-18 | #blackbobwalk #selkirk #wintersun
late afternoon, mid winter, chasing silhouettes and shadows

“In Gnostic societies and cultures, there’s a belief that on the night you were born, you had a twin that was thrown into exile—we all have one. And the business of being a functioning adult, with all the complexity that entails, is that at certain points in your life, you seek out the wild twin that culture at large wants you to ignore. So you gotta be in touch with your own senses to do that. You’ve got to be un-tranced. You’ve got to be woken up. You’ve gotta know what you stand for. You gotta know what you’re gonna defend. You gotta know what music you like, what colors speak to you—the whole thing.

“James Joyce used to use a fancy phrase for this: he calls it aesthetic arrest. And all aesthetic arrest actually means is, what are those one or two images that have utterly claimed your heart—claimed [it] beyond thought, claimed [it] beyond the temporary fashions of culture? And you are just forever in love with two or three things. And then the idea is, if you work out of them, if—to use that phrase I said earlier on—you let them have their way with you, then a life of real good trouble can be bequeathed to you.

“If you’re over the age of twelve and under the age of ninety and you’re not in some kind of trouble, what the hell are you doing?”

Mud and Antler Bone | Martin Shaw with © emergence magazine

IMG_0803
IMG_0845
IMG_0930
IMG_0904
IMG_0902

butterflies and food plants

september-17 | #kailziegardens #peeblesshire #southernscotland
late summer, early afternoon, yellow rudbeckia and green fennel in full bloom

“I confess I do not believe in time. I like to fold my magic carpet, after use, in such a way as to superimpose one part of the pattern on the other. Let visitors trip. And the highest enjoyment of timelessness—in a landscape selected at random—is when I stand among rare butterflies and their food plants. This is ecstasy, and behind the ecstasy is something else, which is hard to explain. It is like a momentary vacuum into which rushes all that I love. A sense of oneness with sun and stone. A thrill of gratitude to whom it may concern—the lucky contrapuntal of human fate or to ghosts humouring a lucky mortal.”

Speak, Memory | Vladimir Nabokov

DSC_5185
DSC_5192
DSC_5188
DSC_5217
DSC_5190
DSC_5189

being in the world

july-19 | #samyeling #riveresk #dumfries #galloway
deep midsummer, following the river, following the light

“It was this quality of their presence in the world. I just had never met people like that. And here they’d come out, sick, exhausted, with just the clothes on their back and the sacred objects they carried out—through periods of snow-blindness—over the mountains.

“But their quality of being in the world was seeing everything as if for the first time. And, I don’t even know if I knew those words then; but when I walked on that Losar—Tibetan New Year—morning across the tea estate where they were squatting, these eastern Tibetans, and I heard the long horns for their morning puja and saw the tall flag poles with the cloth rippling, and there was just, oh . . . yes. . . I’m worthy to be given this.”

Widening Circles | Joanna Macy with © emergence magazine

img_9988img_0102
img_0021
img_0109
img_0105
img_0204
img_0201

first frost

may-14 | #caldra #midberwickshire #southeastscotland
early morning, early may, savouring solitude and spring sunlight

“This moment is all there is, this now, this place, this one breath. My journey is endless, this I know, but this beauty is enough. For now, for this one moment, this soft and silver beauty, this calm and enduring presence, is enough.”

caldra_frost_7
caldra_frost_3
caldra_frost_5
caldra_frost_6
caldra_frost_4